MJJCommunity had the exclusive chance to conduct an interview with Patrick Allocco who is a principal partner of AllGood Entertainment which we thank him for taking this time out of his busy schedule to talk to MJJCommunity.
Thank you for sitting down with MJJCommunity to tell your side of what's going on. We appreciate you taking the time to set the record straight and to tell Michael Jackson's fans what truly happened between All Good Entertainment and Frank DiLeo.
Q: Please tell us about your company, All Good Entertainment.
AllGood Entertainment, Inc., is a concert promoter based in New Jersey, who promotes concerts in New Jersey, New York, Puerto Rico, the Caribbean and South America. In 2007, he has started operations in the United Arab Emirates and India. We are a young and vigorous company, AllGood has produced successful shows in venues in New York and New Jersey as well as in Puerto Rico and Tobago in The Caribbean with Bon Jovi, Stevie Wonder, Sting, Diddy, Julio Iglesias, Earth, Wind and Fire, Patti LaBelle, Natalie Cole, Paulina Rubio, John Leguizamo, Lindsay Lohan and Raven Symone, among others. Our core competency is promoting large one-off events and festivals.
After the recent news story that Michael Jackson Estate was going after Ralphige for the prank call he did to Michael, once again the contents of the prank call became the focus of the fans. In the light of the questions and anger, Ralphige volunteered to answer any questions - even hate - coming towards his way. As MJJC we decided to take this opportunity (not to promote or support Ralphige but) to get the answers that we always wanted to know. Below is the MJJC Exclusive Q&A with Ralphige.
We want to thank everyone that asked the questions and Ralphige for the answers.
1. How did you manage to get Michael’s number and get through to him?
Ralphige: I am able to dream up these numbers. I wake up in the middle of sleep with the celebrity and their phone number in my head. I sleep with a notebook next to me so I am able to immediately write down the phone number before I forget it.
As a matter of fact, TMZ published a story yesterday about how Dr Arnold Klein may have been the person who originally got Michael Jackson addicted to the medications. That story triggered Dr. Arnold Klein to show up in my dream yesterday. I woke up, went straight to my notebook and his phone number popped up in my head. As fans of Michael, I think you guys should have the phone number...... 310-xxx-xxxx
Brad Sundberg was technical director to Michael Jackson for nearly two decades. He recently announced a series of seminars to take place this June in New York called "In The Studio with Michael Jackson" ( thread here: http://www.mjjcommunity.com/forum/th...ichael-Jackson)
We reached out to Brad Sundberg to talk about Michael's music as well as talk about his ""In The Studio With Michael Jackson" seminars. You can read his answers below. Also check the end of Q&A for information about seminars and how to get tickets to them.
MJJC: What exactly is the job of a technical director and what did this position entail, as you worked in this role on some of the MJ albums?
Brad Sundberg: There is the short answer and the long answer. The short answer is “be ready for anything.” The long answer would go something like this: My responsibility was to have whatever recording studio we worked in, anywhere in the world, be up to Michael Jackson quality. I worked very closely with Bruce Swedien (not just on MJ albums, but also Quincy Jones, Barbra Streisand, among others), and his attention to detail is second-to-none. Every microphone, every patch-point, every machine and device in the studio had to tested and (if possible) calibrated to perfection. It was not uncommon for this process alone to take 1-2 weeks before the projecting would even start. The funny thing is that so few production teams do this, yet it is a vital part of the reason our projects sounded so good.
Additionally, I would be involved in day-to-day recording, setting up microphones, headphones, booking studios, keeping tapes organized, getting Michael’s hot water ready for his vocals, transcribing Michael’s lyrics for the liner notes, even making coffee! With various production teams working on the same project, it made for long yet very rewarding days. The hard work and dedication was also very rewarding in that I was privileged to see and be a part of so much musical history being created.
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